Tag Archives: Music

Spotlight: Yamaha YSL-548 vs Rath R400

I do not usually do product reviews, but as I invested significant time and effort, I thought you might find this write-up useful.

My starting point: After resigning from first trombone in our local hobbyist brass band, I had to return the instrument they had loaned me over the past 25 years. A beautiful, gold-plated Willson trombone with a Rotax Valve. Not an easy goodbye.

While I mostly focus on playing the piano these days, I would rate myself as semi-professional on the piano, I still get to play the trombone once a month for small gigs (funerals, church, X-mas events, …). So I needed a trombone. I started with the following requirements:

  1. Use case: Everything, from orchestras to big bands to small groups.
  2. F valve section required
  3. Reasonably priced, i.e., below 3000 € because
    • my current level of playing does not justify one of those custom instruments
    • it will be used in all kinds of weird situations where dents might will occur, e.g., small stages where other amateur musicians will hit my instrument with theirs.
  4. Nice tone, good playability (slide, valve) and ergonomics
  5. Last but not least: Build quality that should get me through the next 30 years without foreseeable issues.

After consulting with two friends, who are professional trombone players, I narrowed down my selection to 4 instruments: 2 refurbished trombones, the Yamaha YSL-548 and the Rath R400. Especially the latter two to me seemed proper competitors. Both are in a similar price range: 2000-2500 €. Both tick off requirements 1-3 from my list above. Both claim to be “step-up instruments”, positioned between entry-level and full-custom / professional instruments.

From Yamaha’s Website on the YSL-548: “… eventually a beginning student model horn will start to hold them back. Yamaha offers the perfect line of instruments to keep pace with their burgeoning musical growth…Allegro.”

From Michael Rath’s Website on the R400: “For those looking to progress from a beginner’s instrument to their first professional level trombone the R00 series of instruments is excellent in developing style and technique before progressing to a fully customized trombone.”

I got both horns, the Yamaha from a local dealer and the Rath from the Thomann Online Music store. I liked the sound of both instruments. The ergonomics are good on both, with a slight advantage for the R400 because of its thumb rest. The YSL-548 wins the valve competition: smoother action.

But here comes the big one: Boy was I blown away by the differences in build quality when comparing them side by side. In my opinion the Yamaha made the R400 look cheap, rather than a serious competitor. While I am aware that the R400 is actually manufactured in China, Rath also claims:

“Whatever your needs, the Rath R00 series of trombones offers a unique combination of the highest level of input of design and craftsmanship in trombones with the production qualities that make Michael Rath trombones famous around the world … So when expert training and quality materials are put together and quality control adhered to, it is irrelevant where the manufacturing location is … The Rath R00 series represents excellent quality, playability and affordability!”

Based on these statements and the photos from the online store my expectations in terms of build quality were high. What I got though, especially with the Yamaha right next to it, did not live up. Let me summarize the Rath build quality in one photo:

Yes, this is a mint Rath R400. By the way, this was my expectation based on the photos from the Thomann Online store:

To let you in on the side-by-side experience with the Yamaha YSL-548 here some close-ups of similar parts from both instruments:

The difference was striking. You may argue: Well it’s just cosmetics. But there some spots on the instrument where I am not even sure if there is sufficient solder material going all around the pipe connections. On the R400 there is a visible gap between the outer and inner pipe of some joints.

By the way, those black dots on the kurled valve caps on the R400 really are under the lacquer. Which brings me to the next issue: the lacquer, there are at least two spots on the R400 that I had in my hands that looked like this.

No its not water drops, its lacquer. Perfect execution on the Yamaha. Also the color of the bell is not even on the R400. This was too hard to capture on a photo as you will only see it clearly when you move the instrument and realize that it’s not shadows you are looking at but coloration that moves with the bell. It’s like the polishing was not done evenly or some oxidation happened before lacquering. The final point I’d like to make is with respect to the design. There is this one spot on the R400 that looks like this – by design:

What we see here is two solder joint “landing pads” that both come in a certain shape – the right one is round, the left one has a more involved shape. Both landing areas are so close to each other, that both the rounded pad and the other one had to be cut off manually to allow for them to be soldered. To me this looks somewhat improvised/ugly and I would regard this as a design weakness.

Let me be clear: I am not a trained brass instrument technician. I have no idea as to why many of the solder connections on the R400 are black, huge and ugly and others seem to have come out nicely. I can also not judge on the long term effects these observations, e.g., the drops of lacquer, will have. The only point of reference I have from my professional life as an electronics engineer is PCB soldering. There black solder connections are a sign of poor quality which often leads to issues down the road. It happens when for example the temperature is too high and the flux burns too fast or when wrong materials are used. Experts usually don’t produce such results. In any case: As an uninitiated, yet critical customer comparing the R400 to a Yamaha at the same price point and other more expensive competitors, I can’t help but feel that there is something off about Rath’s statement:

“So when expert training and quality materials are put together and quality control adhered to, it is irrelevant where the manufacturing location is”

To me it seems more plausible that in terms of build quality the Rath R400 should belong in the same bracket as say certain Jupiter and Thomann instruments. – Which are priced at half or even less of what the Rath R400 costs.

Needless to say, I kept the Yamaha YSL-548 and sent back the R400. Kudos to Thomann. As always, they uphold there promise on customer satisfaction and I could send the instrument back free of charge.

For a brief moment, before I had the Rath R400 in my hands, I thought that I could get out of Yamaha land – I own four Yamaha stage pianos and synths and obviously keep coming back for they have never let me down. I thought: Let’s go for a small shop in England rather than the big cooperation. Sorry Yamaha that I was unfaithful. While there are ultra high-end and expensive instruments that outshine your products (think Steinway pianos, custom-built Rath trombones, …), when it comes to performance and cost, you consistently are a top-tier contender.

Dear reader: You are in the market for good quality at a reasonable price but don’t want the hassle of comparing all available options? Don’t worry, go for Yamaha.

Christmas Reharmonized, Volume 1 & 2

Click here to download Christmas Reharmonized, Volume 1 & 2.

I started doing reharmonizations of Christmas tunes for brass quartet (2 trumpets, trombone or baritone, tuba or bass trombone) a couple of years ago. For your convenience I’ve compiled them all in one book: This is Christmas Reharmonized, Volume 1 & 2. It includes eight tunes:

1 – Andachtsjodler – an Austrian Christmas Carol

2 – Still, Still, Still – an Austrian Christmas Carol

3 – Alle Jahre Wieder – a German Christmas Carol

4 – Leise Rieselt der Schnee – a German Christmas Carol

5 – O Tannenbaum – a German Christmas Carol

6 – Es Wird Scho Glei Dumpa – an Austrian Christmas Carol

7 – Adeste Fideles – O Come, All Ye Faithful

8 – Carol of the Bells – a Ukrainian Folk Song

All of the arrangements consist of parts using traditional arranging techniques and of reharmonized parts.

The download includes printable sheet music (pdf), audio files (mp3) of the tunes played on piano and the original musescore files. All of this under a considerate Creative Commons Attribution 4.0 International License!

Merry Christmas!

O Tannenbaum

Download brass quartet sheet music: O Tannenbaum.

Please note that “O Tannenbaum” is also part of the compilation Christmas Reharmonized, Volume 1 & 2.

Here’s what it sounds like when played on a piano:

The Story Behind

I love Christmas Carlos and I love performing them with brass quartets in December. With Corona lurking around every corner, 2020 was quite different and hard both for professional and amateur musicians. Many turned to delivering their content online.

The local brass band “Trachtenkapelle Thalheim” did the same and posted a total of five videos online – one for each Sunday before Christmas starting November 29th and one on Christmas Eve. I supported by doing audio recordings and by providing arrangements.

“O Tannenbaum” was a natural choice for the Sunday right before Christmas Eve, when people would set up their Christmas trees.

The arrangement itself started out as a last-minute thing just two days before Christmas Eve in 2019. This year I upgraded it with a trumpet solo to feature my friend Erwin. I know him for over 20 years and both of us mostly focus on Jazz these days. We regularly meet at Jazz Jam Sessions. Or I should say, we used to regularly meet at Jazz Jam Sessions before Corona hit.

I think he did a nice solo! Here’s the youtube video featuring Erwin:

Merry Christmas everyone!

Andachtsjodler 2020 – Merry Christmas from Austria

Download brass quartet sheet music: Andachtsjodler.

Please note that “Andachtsjodler” is also part of the compilation Christmas Reharmonized, Volume 1 & 2.

Here’s what it sounds like when played on a piano:

The Story Behind

Around 2000 I was one of the most active trombone players within my 30 km radius (my radius as a trombone player is more link 500 meters these days). On the 23rd of December of 2000 I was hired to play with a brass quartet in the “Welser Altstadt” (see Google maps, we played within 10 m of that location). I was a teenager back then and at a point in my life where 100 EURs plus open bar felt like I had conquered the world. I even got to kiss a girl later that night. But that is not the point.

The point is that I heard (because I played it) an Austrian Christmas tune called “Andachtsjodler” for the very first time in my life that night. I had never heard or played it before, but when we played it the innkeeper who had hired us (he was pretty drunk by the time) started to cry. It was not only him, the song also touched me.

More than 10 years later I improvised a piano version of the “Andachtsjodler”:

Recently I distilled it into a first brass quartet version, which I later edited for a video project of a local brass band:

I hope it helps you beam yourself to Austria and experience some of the magic that still surrounds Christmas.

Creative Commons Licence

This work is licensed under a Creative Commons Attribution 4.0 International License.

Still, Still, Still

Download brass quartet sheet music: Still, Still Still.

Please note that “Still, Still, Still” is also part of the compilation Christmas Reharmonized, Volume 1 & 2.

Here’s what it sounds like when played on a piano:

The Story Behind

I started working on this arrangement on the 24th of December 2019. I did not finish it in time to be played in 2019. So here it is for your convenience for the somewhat unconventional 2020 Christmas Season.

The intention behind this arrangement was that it could serve as the first piece for the upcoming collection “Christmas Reharmonized, Volume 2”. Thus I wanted it to begin sparsely, similar to the Andachtsjodler. “Still, Still, Still” starts with an intro (B*): A sparse version of the song that becomes denser and denser until all instruments are active and the voicings have a certain spread at the end of this first version. The second version (A) is the straightforward version of the song that I usually have in my Christmas carol arrangements. I feel that the song “Still, Still, Still” has a lot of grace, and I tried to honor this by deploying ornaments and delayed harmonic resolutions.

The last version (C) is where I added some harmonic seasoning. The song has an ABA form. I had to redo the first A multiple times to strike the balancing act between “artificial sophistication” and “chords that sound fresh and convey: don’t take this too seriously”. For B I was going for a continuous increase in energy level towards the reprise of A, which I perceive as the climax of the song. Also, I wanted to architecturally mend the transition from B to A so that it can’t be broken apart. It’d like BA to be perceived as one 8-bar phrase. Way too often one can hear musicians playing Christmas Carols as fragmented, four-bar sequences with long breaks for breathing in between. Don’t be that kind of a musician :)

What a Wonderful World

During the COVID-19 pandemic our local church started doing youtube services. A small group of people would prepare texts and music so that it could be streamed by members of the community every Sunday instead of going to church. Every weekend they tried to involve different people or groups to prepare these videos.

I did an arrangement of “What a Wonderful World” for Brass Quintet for one of those youtube videos. Here’s the sheet music for you to download.

With all its sham, drudgery and broken dreams, it is still a beautiful world. Be cheerful. Strive to be happy.

Coronavirus – That Little Grunge

Coronavirus that bitch. I guess it will hang around a little longer. At least until there is a vaccine available, which should be some time in 2021.

Until then things will stay quite different compared to what we were used to. Different is not necessarily bad, and I think I’ve come to terms with the limitations and the new chances. However, there’s one thing that I really, really miss: Playing concerts and playing at Jazz jam sessions. For me it’s not an economic necessity, but a need for which I simply can’t get a fix right now.

Here’s a video I’ve made for a recent composition of mine. I really look forward to playing the tune live in front of an audience.

In The Wee Small Hours …

… of the Corona Situation, my new Jazz trio project “Christian Schmid’s Kaleidoscope” gets delayed, but at least there is some time for practicing. Here’s the intro to one of the songs we are going to play live, hopefully soon.

Last-Minute Arrangement: O Tannenbaum

Download brass quartet sheet music: O Tannenbaum.

Here’s what it sounds like when played on a piano:

The Story Behind

A last-minute arrangement. No big words needed. By the way here’s a Christmas tree that I made out of peanut shells, rather unconsciously, during a telco at work.

Merry Christmas everyone!

Es Wird Scho Glei Dumpa – Tune

This Thursday there was a Jazz Jam Session very close to where I live. I got home from work at around 7:30 pm. I had a choice of stressing myself, showering and going there right away or taking some time and skipping part of the opening concert. I did the latter and decided to use the time to do a quick lead sheet for the Austrian Christmas Carol “Es wird scho glei dumpa”. I had done a reharmonization of the tune earlier, but in order to be able to allow for solos it was necessary to write a lead sheet.

I still was able to hear 2 pieces of the opening band, and later we had quite some fun playing and improvising over my AABA lead sheet version of “Es wird scho glei dumpa”.

Here’s the complete download including the musescore files of both the reharmonization, the lead sheet, pdfs and much more.